HBM133: Prey of Worms

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Earthworm by Pearson Scott Foresman. 3D Art by Jeff Emtman.

 

Bodies are odd.  Anyone who can see their own nose will tell you the same.  So will anyone whose diet changed their body odor. And so will anyone who’s ever felt their phone vibrate in their pocket only to later realize it was a phantom ring. 

Our bodies make stuff up constantly and do plenty of questionable things without asking our permission first.  It can feel disorienting, especially due to the fact that being our sole points of reference, they’re hard to see outside of.  So, people invent analogies for the body, ways to understand what it is, and how to use it. 

On this episode, Jeff interviews the operators of several bodies on the models they’ve developed to help them navigate the strangeness of the world we live in. 

Thank you Allison Behringer of the Bodies Podcast for sharing Juliana’s comic about bodies of water. And thank you Jackie Scott for helping record the freight elevator heard on this episode.

In the life of a man, his time is but a moment, his being an incessant flux, his senses a dim rushlight, his body a prey of worms, his soul an unquiet eddy, his fortune dark, and his fame doubtful. In short, all that is of the body is as coursing waters, all that is of the soul as dreams and vapors; life a warfare, a brief sojourning in an alien land; and after repute, oblivion. 
—Marcus Auralius, Meditations, c. 180 AD. Translation by Maxwell Staniforth.

Heard on this episode:

Dr. Kelly Bowen is a naturopath in Seattle, Washington. 

Juliana Castro is the senior designer at Access Now and the founder of Cita Press. 

David Schellenberg is the singer and guitarist of Tunic, a noise punk band from Winnipeg, Manitoba. 

Divya Anantharaman is the owner of Gotham Taxidermy in New York City. Divya’s been on the show before disassembling birds and explaining taxidermy.  See HBM093: The Brain Scoop. 

Tammy Denton Clark is a medical social worker in southern Utah.  She’s also the mother of HBM co-host Bethany Denton.

 
 

LDS president Boyd K. Packer explains how the body is like a glove.

 

975 Likes, 24 Comments - Gotham Taxidermy (@gotham_taxidermy) on Instagram: "Day to night 🤪 Swipe through to see my #transformationtuesday. It's amazing what a shower and some..."

514 Likes, 18 Comments - Juliana Castro V. (@juliacastrov) on Instagram: "Swipe ➡️ for españolito cursi ✈️ ❤️ 🌊 ☁️"

HBM126: Sounding the Deep

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Computer-generated terrain in the style of a bathymetry map. Image by Jeff Emtman.

Computer-generated terrain in the style of a bathymetry map. Image by Jeff Emtman.

 

How familiar are you with the shape of the continents? What about the shape of the seafloor?

If you’re unfamiliar with the contours of our planet’s underwater mountain ranges and plateaus and valleys, then you’re not alone. No one really knows what’s down there; at least, not in any great detail. That’s because, well, the water is in the way, and that makes it hard for our mapping satellites to see down there. Even the seafloor maps we now have, the ones that include prominent underwater features, are often based on predictions from satellite observations of the oceans’ surface instead of observed data. At present, as much as 80% of the seafloor has yet to be mapped in detail. Even the Moon and Mars are mapped at a higher resolution than our own oceans.

Dr. Vicki Ferrini wants to change that. She is a marine geologist who specializes in bathymetry, the science of mapping underwater topography, and uses sonar to take measurements of water depth. She uses these measurements and other data to create topographic maps of the seafloor. Vicki is part of a global effort called Seabed 2030, an initiative sponsored by the Nippon Foundation and the General Bathymetric Chart of the Oceans (GEBCO) to create a high-resolution map of the entire ocean by the year 2030. Having a completed map will inform almost everything we do in the ocean, including modelling currents and the climate, exploring for minerals, oil, and gas, and managing fisheries and underwater habitats. Seafloor mapping was essential to the plate tectonics revolution, and some scientists think that a more detailed map could lead to another major shift in oceanography.

 

Vicki isn’t just interested in mapping the deep ocean. In this episode, Vicki tests a small sonar designed for shallow waters. She and her colleagues need it to map a shallow lake in the middle of a crater on a newly-formed island near Tonga in the South Pacific. Mapping this small lake will give Vicki and her colleagues some insight into how the island formed, and why it hasn’t eroded as quickly as other volcanic islands like it.

Producer James Dinneen went to Vicki’s childhood home on Cape Cod in Massachusetts to record as she tested the sonar device she was about to send off to her colleagues in Tonga.

This episode includes archival tape, used with permission from San Francisco Maritime National Park Association.

Producer: James Dinneen
Editor: Bethany Denton, Jeff Emtman
Music: James Dinneen, Lucky Dragons, The Black Spot

 
A preliminary map of the island's shallow waters, made with data from Vicki's sonar. Image provided by Vicki Ferrini.

A preliminary map of the island's shallow waters, made with data from Vicki's sonar. Image provided by Vicki Ferrini.

HBM088: Riptides and a Sinking Ship

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A riptide recently pulled Ariana into open water off the shore of Santa Monica.  She thinks it’s her closest brush with death thus far.  A lifeguard rescued her.

Even before the incident in Santa Monica, Ariana had a deep fear of water and drowning—so deep that she wondered if some previous version of herself sunk in a shipwreck.  

The are different kinds of panics, some more helpful than others.  

Music: The Black Spot

Episode produced by Jeff Emtman with help from Bethany Denton.  Please review us on Apple Podcasts.

 
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The $1* DIY Hydrophone

1. Find a condom

2. Rinse the lube off

3. Dry it out

4. Put it on a microphone

5. Tie off end w/ rubber band

* Microphone not included. Cheaper if you buy in bulk.

This "pro tip" brought to you by our Instagram feed

HBM051: Sister Bethany, Proxy for the Dead

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Bethany Denton in high school.

Bethany Denton in high school.

 

Bethany Denton was about five years old when she learned that she was a Mormon. When she was eight, she learned that she was an eternal spirit destined for an eternal afterlife.  The idea of eternity terrified her, and made her afraid to stargaze into the boundless universe.

When she got older, Bethany was allowed to enter the Mormon temple in Billings, Montana to act as the proxy in baptisms for the dead.

The Church of Jesus Christ of Latter Day Saints was founded in 1830, and has practiced baptisms for the dead (or "baptism by proxy") since 1840. This practice intends to give dead people the opportunity to join the church in the afterlife from Spirit Prison, where all souls wind up. Mormon teenagers are eligible to serve as a proxy when they turn twelve years old.  Over the course of her adolescence, Bethany was the proxy for about 30 dead people. 

When Bethany was seventeen, the late prophet Gordon B. Hinckley tasked the youth of the LDS church to read the Book of Mormon cover to cover. Bethany took him up on his challenge, and started noticing inconsistencies that made her question (and ultimately lose) her faith. She doesn't go to church anymore and hasn't for almost ten years, but she's still a member of the church, and always will be...unless she sends a formal letter of resignation.

Today, Bethany Denton is the Managing Editor of Here Be Monsters and loves to marvel at outer space.  She co-produced this piece with Jeff Emtman, along with help from Nick White, our editor at KCRW. Track image by Kyle Keenan.

Music: The Black Spot. 

 

"Mormon Baptism" by Frederick Hawkins Piercy (1830-1891), a Mormon artist.