HBM100: Faraway Minds

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Photo by Anna Klein, edited by Jeff Emtman.

Photo by Anna Klein, edited by Jeff Emtman.

 

Anna Klein thinks that tea tastes better on the Faroe Islands.  She thinks the water’s more pure there, and the Northern Lights let the sky be whatever color it wants to be.  She often thinks about moving there.

Content Note: Violence (momentary) and Language

But she also worries that her fantasies of running away to the remote corners of the world may be a familial urge to isolate herself, the same way her father did...a tendency that ultimately contributed to his early death.

It was a loving and hurtful relationship that led Anna to retrace her father's life.  From her home in Aarhus, to his dying place of Copenhagen, to his hometown of Skagen, and then back to Aarhus again via the museum at Moesgaard.

Producer: Anna Klein
Editors: Jeff Emtman and Bethany Denton
Music: Lucky Dragons and The Black Spot

Nick White is our editor at KCRW, where there are a lot of people we don’t often get the chance to thank, but help us to make this show: including Gary Scott, Juan Bonigno, Adria Kloke, Mia Fernandez, Dustin Milam, Christopher Ho, Caitlin Shamberg, JC Swiatek, and many others.

We’ll be back in the fall with new episodes.  In the meantime, follow us on Twitter, Facebook, and Instagram for updates from the off-season.  Rate us on iTunes and tell a friend too.

 

HBM099: Spell for the Repulsion of Astral Vampires

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👆 Video version 👆 👇 Audio only version 👇

 

There’s currently an invisible, supernatural pandemic affecting the world, or so claims HBM host Jeff Emtman.  What else could explain the wide-ranging malaise of our current times? He thinks that the most logical conclusion is that astral energy vampires are draining humans of their lifeforce en masse.  Jeff’s never encountered one of these beasts, but that’s probably because he’s developed an elaborate spell to trap them in an alternate timeline.  In this video episode of Here Be Monsters, Jeff shares his special spell of repulsion.

Content Note:
Stylized blood and flashing images

Ingredients: 

A note from Jeff on the creation of this episode:

I spent my teenage years listening to Coast To Coast AM each night from 10PM until I fell asleep.  It’s a 4 hour nightly show about the supernatural that exists in a world of increased potential for the unusual.  Guests, callers and hosts are so densely packed with stories of the strange that eventually what used to seem ludicrous becomes possible, and what used to seem possible seems likely.   

Like many, I was deeply saddened to hear of Art Bell’s recent death.  Bell was the original host of Coast To Coast.  While I grew up in the George Noory era, Bell would still host most weekends.  

But on further reflection of my years dedicated to this program, I came away conflicted.  It is truly an amazing feeling to have one’s world blown open on a nightly basis by some new ‘truth’ revealed, it’s also a format that often peddles in fear of the unknown.   It’s a fear that I internalized, hard. Now nearing 30, I’ve likely cumulative years of my life in fear of evils that don’t actually exist. And of the evils that do exist, I fall into nearly every demographic group that statistically protects me from them.  

If I were a sociologist, I’d study whether there’s inverse correlation between the amount of generalized fear a person feels and how much danger that they actually live in.  I have a hypothesis about misplaced fears and their relationship to the supernatural, but I am no sociologist.

So in this episode, I take a fanciful view on the enemies of the astral plane.  The astral plane is a favorite location of Coast To Coast, probably because its inherent indefinability means that just about anything goes.  But with that being said, please don’t bathe in blood, or electrocute yourself.

Producer: Jeff Emtman
Editor: Bethany Denton
Music: The Black Spot, Serocell, The Other Stars

This episode features illustrations by Fortunio Liceti from the 17th century.  Fortunio did not believe his subjects to be hideous, as he considered deformity to be the intersection of nature and art.  

👇 Video stills 👇

 

HBM098: Feed the Queen

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Image by Jeff Emtman

 

The Victoria Bug Zoo is home to dozens of species of insects and arachnids, and two leaf cutter ant colonies.

There's the new colony, with a three year old queen whose kingdom grows every day. If all goes well, she is expected to live to the age of fifteen, laying an egg approximately every three seconds. Her colony is teaming with a healthy population of soldiers, gardeners, and foragers with the potential to reach more than a million ants. There is a constant stream of activity; the soldiers patrol the tunnels to keep the queen and colony safe, the foragers trek back and forth retrieving leaves for the gardeners who busily chew the leaves into substrate.

Leaf cutter ants don't actually eat the leaves they cut down. Instead, they use chewed up leaves to build nurseries for the hatchlings, and to grow fungus gardens. The fungus produces a nectar, and that's what everyone eats. These ants have farmed and domesticated this fungus for many millions of years, long before humans discovered agriculture. This special relationship is called “mutualism”.

The second ant colony -- the old colony -- is not a robust as the first. At thirteen, almost fourteen years old, the old queen recently passed away. In fact, Bug Zoo tour guide Ash Bessant discovered ants dragging dismembered parts of her body to the ant graveyard as HBM producer Bethany Denton was interviewing him.

According to Ash, some of the ants continue to try feeding and cleaning the queen even after she’s died. Without a queen to lay eggs, the colony population will eventually dwindle and die out.

Can’t get enough leaf cutter ants? We recommend the 2013 BBC documentary Planet Ant: Life Inside the Colony. 

Producer: Bethany Denton
Editor: Jeff Emtman
Music: The Black Spot, Serocell
Images: Bethany Denton

 
From: Ants! Natures Secret Power A giant ant colony is pumped full of concrete, then excavated to reveal the complexity of its inner structure.

HBM097: Fox Teeth

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Icelandic fox. Photo by Megan Perra.

Icelandic fox. Photo by Megan Perra.

 

In the Westfjords of Iceland, people wait for birds to come ashore so that they can gather the feathers they leave behind.  These birds, called Eider Ducks, are the source of eiderdown, a ridiculously expensive and rare stuffing for bedding. 

This has landed the Arctic Fox in the crosshairs (quite literally).  These relatively common foxes are opportunistic eaters who snack on eider ducks if they get the chance.

So the Icelandic government placed a bounty on each fox killed (if you can provide its tail as proof).  Hunters of the Westfjords set up elaborate baiting ambushes for the foxes, and wait in darkened houses with rifles in the middle of blizzards.But some foxes are smart enough to outfox the hunters.

Megan Perra heard a rumor of a three legged Icelandic fox named “Tripod” that beat the odds.  A fox that grew to almost twice the normal size from stealing food from traps for three full years (or so the legend goes).  Megan is an illustrator/journalist from Portland, Oregon, and she’s currently working on a video documentary about the foxes’ interactions with humans. 

 
The taxidermied body of “Tripod”, a three-legged fox. Pictured here carrying the body of a seabird (a razorbill).

The taxidermied body of “Tripod”, a three-legged fox. Pictured here carrying the body of a seabird (a razorbill).

An Arctic Fox (vulpes lagopus).

An Arctic Fox (vulpes lagopus).

 

Megan retraces the steps of Tripod, from his birthplace in the Westfjords, to the lab in southern Iceland where he was dissected, and to his current home in a glass case at the Arctic Fox Centre.

But some foxes are smart enough to outfox the hunters.

Megan Perra heard a rumor of a three legged Icelandic fox named “Tripod” that beat the odds.  A fox that grew to almost twice the normal size from stealing food from traps for three full years (or so the legend goes).  Megan is an illustrator/journalist from Portland, Oregon, and she’s currently working on a video documentary about the foxes’ interactions with humans. 

Megan retraces the steps of Tripod, from his birthplace in the Westfjords, to the lab in southern Iceland where he was dissected, and to his current home in a glass case at the Arctic Fox Centre.

 
An Icelandic hunter, Jóhann Hannibalsson, at a remote cabin where he intends to shoot a fox.

An Icelandic hunter, Jóhann Hannibalsson, at a remote cabin where he intends to shoot a fox.

 

She visits a rural gas station where she finds Jóhann Hannibalsson, the hunter who finally shot Tripod after years of trying.  The two of them go on a snowmobile ride that brings them to a cabin where, in the dark, Megan witnesses Jóhann’s version of a fox hunt. 

Along the way, Megan also speaks to Ester Unnsteinsdóttir (a fox researcher), Siggi Hjartarson (a hunter), Stephen “Midge” Midgley (Manager at the Arctic Fox Centre), and Þorvaldur “Doddi” Björnsson (the taxidermist who preserved Tripod’s body).

Producer: Megan Perra
Editor: Jeff Emtman
Music: The Black Spot, Serocell
Images: Feral Five Creative Co / Megan Perra

 

Icelandic Language documentary on the production of eiderdown.

HBM097-04.gif

HBM096: Are We Still Afraid?

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Image by Jeff Emtman.

 

Here Be Monsters is almost 100 episodes old. It’s grown a lot since Jeff was a scared 22 year old learning audio editing in his basement. So as we approach the milestone, we take a look back, check in with some of our memorable guests, and take the chance to answer some listener questions while we’re at it.

Content Note: Recreational drug use, deaths (intentional and accidental), eating disorder, language, and sex.

On this episode we’ll hear updates from or about:

Luke, Griff and Ira from HBM076: Griff’s Speech
Remi from HBM080: An Ocean of Halves
Tariq from HBM077: Snow on Date Trees, Then on Pines
Tyler from HBM052: Call 601-2-SATAN-2
Patti from HBM054: Flaming Sword of Truth
Erin from HBM064: A Shrinking Shadow
Jacob from HBM015: Jacob Visits Saturn, HBM072: Ant God

▶   You can call us any time at (765) 374 - 5263   ◀

Bethany Denton and Jeff Emtman produced this episode. Nick White is our editor at KCRW. 

Producers: Jeff Emtman and Bethany Denton
Music: The Black Spot, Flowers, Lucky Dragons, Serocell

 

HBM095: The Bats that Stay

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Illustration by Jeff Emtman

 

Not all migratory bats migrate.  We don’t know why some choose to stay behind at their summer roosts.  But according to the University of Washington’s Sharlene Santana, the bats that stay tend to die.  

Content Note: Fleeting language

In this episode, HBM host Jeff Emtman attempts to make a metaphor about bats and humans.  Perhaps it’s anthropomorphic, perhaps it’s unnecessarily poetic, or perhaps it’s a fair one.  

Jeff leaves his home in Seattle to move cross-country to Boston.  Along the way he takes a five day layover in Colorado to meet up with an old friend (Helen Katich) and her girlfriend (Laura Goldhamer).  The three drive from Denver to the San Luis Valley of Central Colorado.  They visit Valley View Hot Springs and walk to the mouth of an abandoned iron mine 10,000 feet above sea level called “The Glory Hole.”  

 
 

The Glory Hole houses an estimated 250,000 Mexican free-tailed bats each summer.  These bats migrate in from Central and South America to eat bugs and raise their pups.  They fly together at dusk in gatherings visually similar to the murmurations of starlings.   This bat species, also known as the Brazilian free-tailed bat, is extremely social, and perhaps nature’s most gregarious mammal species.  

Despite this, their social and hunting calls are completely inaudible to humans.  They produce ultrasounds, sounds too high pitched for human ears. But some audio equipment (see below) can still record these sounds, then computer algorithms can pitch them down into human-audible sounds.  

 
Helen Katich

Helen Katich

A preserved Mexican free-tailed bat at the welcome center of Valley View Hot Springs

 

One evening, Jeff and Helen and Laura hike to the mouth of the mine.  At this vantage point, they watch some of the bats flying out and Jeff manages to record some of their loud, ultrasonic vocalizations, before the storm forces them back downhill.  The next day, Jeff flies to his new home in Boston.

Jeff recorded the bat calls in this episode with a Tascam DR100MK3 at 192kHZ sample rate and an Echo Meter Touch 2 Pro at sample rates of 256kHZ and 384kHZ.  The calls were recorded at frequencies of approximately 21kHZ to 36kHZ and time/pitch-shifted with Elastique 3.2.3 Pro.

Producer: Jeff Emtman
Editor: Bethany Denton
Music: The Black Spot and Laura Goldhamer