HBM158: An Illusion

3 microphones swinging by their cables.  Digital render by Jeff Emtman.  Microphone model by evilvoland.

 

In the midst of a stressful move, HBM producer Jeff Emtman finds comfort in the phasing techniques developed by minimalist composer, Steve Reich

Note: this episode contains sounds that cannot be accurately represented by speakers.  Please use headphones.  

Here Be Monsters is an independent podcast supported by listener donations.  If you’d like to make a small monthly contribution, visit patreon.com/HBMpodcast

Producer: Jeff Emtman

 

Steve Reich compositions excerpted in this episode: 

 

Clapping Music, performed by Steve Reich and Wolfram Winkel

Violin Phase, performed by Jonathan Morton

Pendulum Music, performed by Joan Cerveró, Víctor Trescolí, Isabel León, and Estefanía Sánchez

HBM149: The Daily Blast [Neutrinowatch]

Neutrinowatch logo. Designed by Jeff Emtman

 

Please note: This is a dynamically generated podcast episode. It changes every day.

This is a short episode from the new show Neutrinowatch: A Daily Generative Podcast.  Each episode of Neutrinowatch changes a lil’ bit every day.  

This episode, The Daily Blast, features two computerized voices (Wendy and Ivan), who share the day’s news. 

To get new versions of this episode, you’ll need to either stream the audio in your podcast app/web browser, or just delete and re-download the episode.  It’s updated every 24 hours.  Note: Due to Spotify’s policy of downloading and rehosting podcast audio, this episode won’t work very well on Spotify.  Most other podcast apps should handle it well though. 

Neutrinowatch is a project of Jeff Emtman (Here Be Monsters’ host), and Martin Zaltz Austick (Answer Me This, Song By Song, Pale Bird and others). 

If you’d like to know more about generative podcasting and the story of Neutrinowatch, listen to So What Exactly is Episode 149? and Jeff’s blog post called The Start of Generative Podcasting?

Neutrinowatch is available on most podcast apps, and as of publish date, there’s currently 6.5 episodes available.  Each updates daily. 

Producers: Jeff Emtman and Martin Zaltz Austwick

Music:The Black Spot

 

HBM148: Early Attempts at Summoning Dream Beings

Image by Jeff Emtman.

 

As a teenager, HBM host Jeff Emtman fell asleep most nights listening to Coast To Coast AM, a long running talk show about the world’s weirdnesses.   One of the guests stuck out though; one who spoke on his experiences with lucid dreaming.  He’d learned how to conjure supernatural entities and converse with his subconscious.  

Lucid dreams are dreams where the dreamer knows they’re asleep.  Some sleepers become lucid completely at random, but lucid dream training can drastically increase the frequency of their occurrence.

Months ago, Jeff put out a call for dream prompts on social media.  He asked if anyone had questions for an all-knowing being to be conjured in a forthcoming lucid dream.  Some of the questions are heard in this episode.  

While training for this episode, Jeff used two approaches to trigger lucid dreams.  The first was an audio recorder by the bedside.  Each morning, Jeff recorded his dreams (lucid or not).  The second method was a series of “wakefulness checks” throughout each day, stopping at random times to test reality, and to make a determination on whether he’s currently awake or asleep.  This tactic is useful as it may eventually trigger the same behaviour in a dream.  

In this episode, Jeff attempts to lucid dream to answer listener questions, but finds the progress slower than he hoped.  

Here Be Monsters is an independent podcast that is funded entirely by individual sponsors and donors.  You can become a donor at patreon.com/HBMpodcast

Producer: Jeff Emtman
Music: The Black Spot, Phantom Fauna, and Serocell.

 
 
Sleep With Me Expanded..jpg

Sleep With Me is a podcast that helps you fall asleep.

Host Drew Ackerman tells tangential stories, reads old catalogues, recaps old Charlie Brown specials and does other calming things all in pursuit of slowing your mind down and letting you drift off to sleep more peacefully.

Subscribe to Sleep With Me on any podcast app.

Jeff wearing his favorite Sleep With Me shirt. This shirt elicits compliments whenever its worn 🐏💖

HBM146: Theodora

Computer generated text projected on a computer generated waves. Image by Jeff Emtman.

 

How does a computer learn to speak with emotion and conviction? 

Language is hard to express as a set of firm rules.  Every language rule seems to have exceptions and the exceptions have exceptions etcetera.  Typical, “if this then that” approaches to language just don’t work.  There’s too much nuance. 

But each generation of algorithms gets closer and closer. Markov chains were invented in the 1800’s and rely on nothing more than basic probabilities.  It’s a simple idea, just look at an input (like a book), and learn the order in which words tend to appear.  With this knowledge, it’s possible to generate new text in the same style of the input, just by looking up the probability of words that are likely to follow each other.  It’s simple and sometimes half decent, but not effective for longer outputs as this approach tends to lack object permanence and generate run-on sentences. Markov models are  used today in predictive text phone keyboards, but can also be used to predict weather, stock prices, etc. 

There’ve been plenty of other approaches to language generation (and plenty of mishaps as well).  A notable example is CleverBot, which chats with humans and heavily references its previous conversations to generate its results.  Cleverbot’s chatting can sometimes be eerily human, perfectly regurgitating slang, internet abbreviations, obscure jokes.  But it’s kind of a sly trick at the end of the day, and, as with Markov chains, Cleverbot’s AI still doesn’t always grasp grammar and object permanence. 

In the last decade or two, there’s been an explosion in the abilities of a different kind of AI, the Artificial Neural Network.  These “neural nets” are modelled off the way that brains work, running stimuli through their “neurons” and reinforcing paths that yield the best results. 

The outputs are chaotic until they are properly “trained.” But as the training reaches its optimal point, a model emerges that can efficiently process incoming data and spit out output that incorporates the same kinds of nuance, strangeness, and imperfection that you expect to see in the natural world.  Like Markov chains, neural nets have a lot of applications outside language too. 

But these neural networks are complicated, like a brain.  So complicated, in fact, that few try to dissect these trained models to see how they’re actually working.  And tracing it backwards is difficult, but not impossible

If we temporarily ignore the real risk that sophisticated AI language models pose for societies attempting to separate truth from fiction these neural net models allow for some interesting possibilities, namely extracting the language style of a large body of text and using that extracted style to generate new text that’s written in the voice of the original text. 

In this episode, Jeff creates an AI and names it “Theodora.”  She’s trained to speak like a presenter giving a Ted Talk.  The result varies from believable to utter absurdity and causes Jeff to reflect on the continued inability of individuals, AI, and large nonprofits to distinguish between good ideas and absolute madness

 

Three bits of raw output from Theodora. These were text files were sent to Google Cloud’s TTS service for voicing.

 

On the creation of Theodora:  Jeff used a variety of free tools to generate Theodora in the episode.  OpenAI’s Generative Pre-trained Transformer 2 (GPT-2) was turned into the Python library GPT2 Simple by Max Woolf, who also created a tutorial demonstrating how to train the model for free using Google Colab.  Jeff used this tutorial to train Theodora on a corpus of about 900 Ted Talk transcripts for 5,000 training steps. Jeff then downloaded the model locally and used JupyterLab (Python) to generate new text.  That text was then sent to Google Cloud’s Text-To-Speech (TTS) service where it was converted to the voice heard on the episode. 

Producer: Jeff Emtman
Music: Liance

 
 

James Li aka. “Liance.” Photo by Alex Kozobolis

This Painting Doesn't Dry album art (4000 x 4000).jpg

Sponsor: Liance

Independent musician James Li has just released This Painting Doesn’t Dry, an album about the relationship between personal experiences and the story of humanity as a whole.

James made this album while he anxiously watched his homeland of Hong Kong fall into political crisis.

HBM134: Questionable Hobbies of the Socially Isolated

An unspooled cassette tape. 3D art by Jeff Emtman

 

Searching for something to do during government-mandated social distancing, Here Be Monsters host Jeff Emtman recently digitized his cassette collection, and re-edited them into blackout poems and proverbs. 

Content Note: Language

While in the process of doing this, Jeff re-discovered a mixtape he made in 1999, the product of endless hours of waiting by the boombox in the basement with a hand hovering over the 🔴 button.  And on this old mixtape, a 10 year Jeff attempted to make a fancy edit: swapping out the intro of one song for another’s. It didn’t sound good at all, but it may have actually been Jeff’s first ever audio cut, predating the start of HBM by over a decade.  

On this episode, Jeff shares a couple dozen of his recent blackout proverbs and short poems, made from a variety of bootlegged self-help audiobooks found in the thrift stores of New England. 

Producer: Jeff Emtman
Editor: Bethany Denton
Music: The Black Spot, August Blicher Friis

 

Jeff’s author headshot from a short book about aardvarks that he wrote for an assignment in third grade, circa 1997.

Jeff’s mixtape from 1999.

HBM116: Finest and Most Rotten (Going Forward)

Park Row and William Street, several blocks away from 154 Nassau. Photo taken in August I92I by George Balgue. Via OldNYC

Park Row and William Street, several blocks away from 154 Nassau. Photo taken in August I92I by George Balgue. Via OldNYC

 

Mar 21, 1919 - NEW YORK CITY

An anonymous writer for the New York Tribune stands at 154 Nassau.  The writer asks passers-by a simple question: “Do you think this is a good world?”  It’s just four months after Armistice Day, and on the tail of a flu pandemic that killed 55 million worldwide.  The writer publishes five answers, ranging from “damned rotten” to “the finest”.

Mar 21, 2019 - NEW YORK CITY

Producer Ula Kulpa stands at the same spot and flags down passers-by 100 years later and asks the same question, “Do you think this is a good world?”  Today, life expectancies are up, yet we still fight wars. We are still sometimes cruel to loved ones and strangers. So, with the perspective of an additional century, what do New Yorkers think about the world’s goodness?

Producer: Going Forward (Julia Drachman, Ula Kulpa)
Editor: Jeff Emtman
Music: The Black Spot,  Smiles by Lambert Murphy (1918)You Hear the Lambs a-Cryin' by Fisk University Jubilee Singers (1920)

 
An Armistice Day celebration on Manhattan’s Fifth Avenue in 1918. Photo by Paul Thompson via The New York Times

An Armistice Day celebration on Manhattan’s Fifth Avenue in 1918. Photo by Paul Thompson via The New York Times


 

Jeff Emtman is visiting Copenhagen to teach a masterclass on sound design and to do a radio cinema event about sound’s haunting nature.  Join him at Radiobiograf, Copenhagen’s Radio Festival.

April 12, 2019: Masterclass: Jeff Emtman on Sound Design

April 14, 2019: Jeff Emtman Presents: The Haunting Magic of Sound