HBM148: Early Attempts at Summoning Dream Beings

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Image by Jeff Emtman.

 

As a teenager, HBM host Jeff Emtman fell asleep most nights listening to Coast To Coast AM, a long running talk show about the world’s weirdnesses.   One of the guests stuck out though; one who spoke on his experiences with lucid dreaming.  He’d learned how to conjure supernatural entities and converse with his subconscious.  

Lucid dreams are dreams where the dreamer knows they’re asleep.  Some sleepers become lucid completely at random, but lucid dream training can drastically increase the frequency of their occurrence.

Months ago, Jeff put out a call for dream prompts on social media.  He asked if anyone had questions for an all-knowing being to be conjured in a forthcoming lucid dream.  Some of the questions are heard in this episode.  

While training for this episode, Jeff used two approaches to trigger lucid dreams.  The first was an audio recorder by the bedside.  Each morning, Jeff recorded his dreams (lucid or not).  The second method was a series of “wakefulness checks” throughout each day, stopping at random times to test reality, and to make a determination on whether he’s currently awake or asleep.  This tactic is useful as it may eventually trigger the same behaviour in a dream.  

In this episode, Jeff attempts to lucid dream to answer listener questions, but finds the progress slower than he hoped.  

Here Be Monsters is an independent podcast that is funded entirely by individual sponsors and donors.  You can become a donor at patreon.com/HBMpodcast

Producer: Jeff Emtman
Music: The Black Spot, Phantom Fauna, and Serocell.

 
 
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Sponsor: Sleep With Me Podcast

Sleep With Me is a podcast that helps you fall asleep.

Host Drew Ackerman tells tangential stories, reads old catalogues, recaps old Charlie Brown specials and does other calming things all in pursuit of slowing your mind down and letting you drift off to sleep more peacefully.

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Jeff wearing his favorite Sleep With Me shirt. This shirt elicits compliments whenever its worn 🐏💖

HBM143: Laughing Rats and Dawn Rituals

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Image by Jeff Emtman. Photo of sage grouse by Bob Wick of the Bureau of Land Management. Orange sky elements are the spectrogram of the sound of the mouse courtship call heard in this episode.

Image by Jeff Emtman. Photo of sage grouse by Bob Wick of the Bureau of Land Management. Orange sky elements are the spectrogram of the sound of the mouse courtship call heard in this episode.

 

Animals sometimes make noises that would be impossible to place without context.  In this episode, three types of animal vocalizations—described by the people who recorded them. 

The monkey who lost their mother. Photo by Stephanie Foden.

Ashley Ahearn: Journalist and producer of Grouse, from Birdnote and Boise State Public Radio

Joel Balsam: Journalist and producer of the upcoming podcast Parallel Lives.  Joel co-created a photo essay for ESPN about the “pororoca”, an Amazonian wave chased each year by surfers. 

Kevin Coffey, Ph.D.: Co-creator of DeepSqueak and researcher at VA Puget Sound and the University of Washington.  Kevin co-authored the paper DeepSqueak: a deep learning-based system for detection and analysis of ultrasonic vocalizations in Nature’s Neuropsychopharmacology journal. 

Also heard: calls of the Indies Short Tailed Cricket (Anurogryllus celerinictus), which may be the perpetrator of the so-called “sonic attacks” recently reported in Cuba.  Sound sent in by HBM listener Isaul in Puerto Rico.  

Producer: Jeff Emtman
Music: The Black Spot

 
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Sponsor: Chas Co

Chas Co takes care of cats and dogs in Brooklyn (especially in Prospect Lefferts Gardens, Bed Stuy and surrounding neighborhoods). 

Chas Co welcomes pets with special behavioral and medical needs, including those that other services have turned away.  They offer dog walking, cat visiting, and custom care arrangements too. 

Visit Chasco.nyc

Look, it’s Kane!

HBM106: Beautiful Stories about Dead Animals (part 2)

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👉 Listen to Part 1 👈

This is a special two-part episode, in which Kryssanne Adams describes the many times where she’s seen death or inflicted it upon animals.

Content Note:
Animal slaughter and other descriptions of death

Kryssanne is a writer in Bellingham, Washington, where she also helps run the Bellingham Alternative Library, sings in a Threshold Choir, and works at a museum.

We turned these episodes into a book, which is available for purchase in our store.

Producer: Jeff Emtman
Editor: Jeff Emtman
Music: The Black Spot, Serocell

 
Kryssanne Adams. Photo by Jeff Emtman

Kryssanne Adams. Photo by Jeff Emtman

HBM105: Beautiful Stories about Dead Animals (part 1)

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Before Kryssanne Adams was old enough to understand death, she found a dead mouse and carried it around with her in a plastic Easter egg shell.  She talked to it and gave it water.

Content Note:
Descriptions of death/dismemberment, language.

This is a special two-part episode, in which Kryssanne describes the many times where she’s seen death or inflicted it upon animals.  This series is now a book, which you can purchase in our store!

Kryssanne is a writer in Bellingham, Washington, where she also helps run the Bellingham Alternative Library, sings in a Threshold Choir, and works at a museum.

Producer: Jeff Emtman
Editor: Jeff Emtman
Music: The Black Spot

👉 Listen to Part 2 👈

 

HBM090: Two Small Creatures with Human Eyes

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Lucy and her mate at the American Museum of Natural History in New York City. Photo by Jeff Emtman.

Lucy and her mate at the American Museum of Natural History in New York City. Photo by Jeff Emtman.

 

Natural history museums are art galleries.  Scientifically focussed art galleries, but art galleries nonetheless.  

Ian Tattersall, of the American Museum of Natural History in New York City, is a paleontologist who sometimes oversees the construction of models for the museum.  Of personal interest to Here Be Monsters producer Jeff Emtman are reconstructions of very lifelike early humans, one with an arm draped over the other.  Ian calls these the “Laetoli Figures”—named for the place in modern-day Tanzania where some remarkable footprints of two hominids were found preserved in volcanic ash.  

As far as early humans go, Australopithecus Afarensis are well understood.  There are 300+ individuals in the fossil record, including the famous ~40% complete fossil of “Lucy”.

Given the evidence, there’s a lot scientists can be pretty certain in declaring: they lived in the trees, but they could walk upright.  They had small brains and big jaws, but their canine teeth looked a lot like a modern human’s.  

There are other questions that are answerable through inference, through studies of modern animals and other fossils.  These techniques can yield a strong degree of certainty.

But if the artist were to stop constructing at the edge of certainty, the models would never be completed. There are certain things that are essentially unknowable about these early hominids, like: “What did their skin look like?” “What color was their hair?” “Did they have the dark sclera of an ape, or the whites-of-the-eye of a modern human?”

These uncertainties are ultimately up to the artist to answer.  “When you’re making a museum exhibit,” Ian (not an artist) points out, “you’re trying to create an illusion.  And to work at all, the illusion has to be complete.  And so you have to have all the details in there.”

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Ian Tattersall, Curator Emeritus of Human Origins at the American Museum of Natural History and a replica of an early human colloquially named “Lucy”.

 

But these details are a form of artistry used as evidence by biblical creationists to lambast hominid reconstructions.  They see it as part of an effort to deceive the public, to lead them to believe that these ancient hominids were more human-like than they actually were.  Of particular interest to them is that question of the light sclera vs. dark sclera.  One author writes:

Notice that a fossilized eyeball was not found.  So how would anyone know that the sclera was white, which would cause it to look more human. [sic] The reconstruction is pure speculation about how Lucy’s eye looked.

Natural history museums are faced with a decision: create full-flesh reconstructions that by necessity contain elements of artistic license, or, present the public with mere bones.  Most seem to opt for the former, and understandably so.  The museum serves the public, and, like HBM producer Jeff Emtman, they want to see something relatable and remarkable, a piece of scientifically-oriented art.  

 
 

And this question the artist must face, the question of the dark sclera (more ape-like eyes) and the light sclera (more human-like eyes) reveals something interesting about the artist and the process used to create the art.  The choices an artist makes can speak to their worldview, their biases, and their knowledge per their location in the world and the current moment in time.  

Ian recognizes this, saying,

You could not do a reliable reconstruction of an ancient human being or a dinosaur, or an extinct mammal without the science; and you certainly couldn’t do it without the art.  And this is where the two really intersect in a meaningful way.

And the AMNH itself houses exhibits related to the ways in which modern assumptions about the past have affected the way the past is present, such as:  Griffins in the Gobi Desert (protoceratops), Cyclops of the Mediterranean (dwarf elephants), and the infamous unicorn horns of Western Europe (narwhal).

 
 

Ian says that, in the quarter century since the construction of the Laetoli Figures, dominant scientific perception has changed to suggest that Australopithecus afarensis might have actually had dark sclera. As he puts it, “science is a work in progress.”

Jeff Emtman produced this episode and took the photos.
Voicemails from HBM listeners including Daniel Greene, Rachel Schapiro and Tony Baker.   

Music: The Black Spot, The Other Stars

 
 

We want your questions for an upcoming mailbag episode. Maybe you’ve got a question about how we make the show.  Maybe you have a question for someone we’ve talked to on an episode.  Maybe you want some relationship advice.  Maybe you can’t fix your damn microwave and you just need someone to tell you what to do.  

Give us a call: (765) 374 - 5263 or send us a voice memo: HBMpodcast@gmail.com.

Also, check out our new meat poster, designed by Adam Fein, of HBM circle shirt fame.  Get your HBM meat poster today!

 

HBM065: We Pay Them In Meat

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Owl skull with a flesh eating beetle. Photo by Jeff Emtman.

Owl skull with a flesh eating beetle. Photo by Jeff Emtman.

 

Walk through any natural history museum and you’ll see rows of effortlessly clean animal skeletons.  Chances are you're looking at a strange form of human/insect symbiosis happening in the museum’s back rooms.

Preparing an animal’s skeleton for display is incredibly labor intensive for human hands.  So curators have turned to a family of beetles with millennia of experience.

The dermestidae family of beetles have followed humans since our early history.  They’re opportunistic eaters, and they like the things we like: grains, bacon grease, leather, silk scarves, books, carpets.  And as early humans traveled, the beetles came with, colonizing across the globe.

The majority of humans’ relationship with these beetles is and has been contentious, as they tend to wreak havoc on human possessions.  They’re often exterminated as pests. 

But several species of the dermestidae family have a taste for dead flesh. Including dermestes maculatus, aka. “The Hide Beetle”.  And for this reason, curators have enlisted their help as “museum volunteers.”

At least, that’s what Chris Stinson of the Beaty Biodiversity Museum in Vancouver, British Columbia calls them.  He’s the Curatorial Assistant of Mammals, Reptiles, and Amphibians and he approximates that he has 20,000 of these volunteers to prep the museum’s collection. 

 
 

In this episode, Here Be Monsters producer Jeff Emtman smells the beetle tank, listens to them eat an owl skull, and holds a real flesh-eating beetle.*

Jeff Emtman produced this episode, with help from Bethany Denton and Nick White.

Music: The Black Spot

Happy Birthday Paul.  We don’t know when your birthday actually is, but we hope it’s a good one...this year and every other.

*Due to dermestes maculatus’ preference for dead foods, they’re perfectly safe to handle, unless you’re a wild turkey (and if you’re actually reading this, you probably are).