HBM151: Blowgun Time Warp

Image by Jeff Emtman. Digital render.

 

Season 10 of Here Be Monsters starts and host Jeff Emtman hallucinates his adolescence while working long hours. Scenes from middle school dances, dawn bus rides, the basement, and ( most crucially), a late-night raffle at a hardware store.

Do you like Here Be Monsters? Tell your friends, support HBM on Patreon, and have your boss sponsor an episode.

Producer: Jeff Emtman
Music: Serocell and The Black Spot

 

https://www.wnycstudios.org/podcasts/radiolab

Sponsor: RadioLab

Are you curious about the world, but also want to be surprised, and even moved?

Radiolab experiments with sound and storytelling allowing science to fuse with culture, and information to sound like… well, music.  Join hosts Lulu Miller and Latif Nasser for an experiential investigation that explores themes and ideas through a patchwork of people, sounds, and stories.

Hello: a Radiolab episode that’s about humans and dolphins communicating.

HBM131: A Cure for Carsickness

David Denton, Bethany’s father, pictured in his Air Force uniform with the reflection of two of his children visible. Photo illustration by Jeff Emtman.

 

Bethany Denton has a long history of carsickness. Ever since she was a little girl, long car rides made her nauseous and gave her stomachaches. Once, when she was four years old, her carsickness was so bad that she made her dad take a detour to look for a cure at the grocery store.

At the time, they were driving through Central Idaho, visiting all her dad’s favorite places from childhood.  They drove to Kooskia and Kamiah, two small neighboring towns where Bethany’s dad lived for some time with his cousins. He used to love playing outside with his cousins, and hear stories about the land around them. One of his favorite places to go was The Heart of the Monster, a landmark that is sacred to the Nez Perce people. They also made the trip to the Denton family plot at the Pine Grove Cemetery in Kooskia, so that Bethany and her brother could visit their Grandpa Bill’s grave. Bethany’s grandpa was Bill Denton, a sportscaster for KREM-TV in Spokane. She never met him, he died years before she was born.

Audio from the Heart of the Monster site courtesy of Nez Perce National Historical Park, used with permission.

Producer: Bethany Denton
Editor: Jeff Emtman
Music: The Black Spot

 

HBM123: Water Witches

Smoot Hill, with 3D replicas of Kathy Emtman’s witching rods superimposed

 

Some time in the 90’s, Kathy Emtman received a gift from her husband, Rick. It was a pair of bent metal rods, each shaped into long ‘L’. Nothing special, not imparted with any kind of magic, just metal rods. Colloquially, these rods are called “witching rods” or “dowsing rods”. 

HBM producer Jeff Emtman (child of Rick and Kathy) remembers a scene that took place the night of that gifting: each family member taking turns holding the rods, testing who had the gift of water witching. Each person held the rods by their short end with the long ends waving around in front of them. Gripped loosely enough, the rods spin freely, seemingly with a life of their own.  And believers say that when the rods cross, that’s where there’s water underground. That is...if a true witch is holding the rods.

Who’s a water witch? Well it depends who you ask. Some say that the gift is rare, some say that it’s in nearly all of us. It’s a folk belief, one not canonized in any central text and one not well supported by science. However, it persists (strongly in some places) as a regular thing for people to do when they need a well dug—cited as a way to gather a second opinion before paying a well driller to dig on their property. 

And this desire for a second opinion seems quite understandable. Wells in the Palouse Region of Eastern Washington State (where Jeff grew up) often require digging hundreds of feet to find water of sufficient quality and quantity to sustain a family or a farm. These wells might cost $10,000 to $30,000 each. Further, the well drillers charge per hole dug, regardless of whether there’s water down there. So, picking the right spot is paramount.

 
 

Well driller Brett Uhlenkott calls water witching a “farce”, preferring to drill based on his understanding of the landscape, his readings of the geologic maps and his knowledge of nearby successful wells. But he’s had clients who request he drill in a spot a witch found. And if that’s what his client wants, then that’s where he drills. 

Brett says there’s no mechanism for any information to travel the great distance between a witcher’s rods and a tiny vein of groundwater that runs hundreds of feet below the surface. Despite this, Brett keeps a pair of rods himself, saying that it might work for things closer to the surface. He cites an instance where he was able to locate a pipe or cable located several feet underground using the rods.  Brett thinks it might have something to do with minerals, or that it might just be something that we imagine in our heads.

 
 

The mechanism most often cited for the seemingly organic movements of a witcher’s rods is so-called ideomotor movement, which is the same thing that makes Ouija boards work.  Simply put, these motions are the result of unconscious movements we make when we feel something should work.  With witching, these motions get amplified by the long rods, resulting in movement that seems to emerge from nothing.  

Attempts to prove the validity of witching exist. Proponents cite a study by Hans-Dieter Betz that claimed incredible success rate in witched wells in countries with dry climates.  This paper received criticism for its unusual methodology.  Betz published another paper on water witching in a controlled environment, where he found a select few people who he claimed could reliably witch water, however that study also received criticism for its method of data analysis.  

Back in the 90’s.  Jeff held the rods, and he was able to find the pipes in the house, the sprinkler lines in the yard.  The rods moved convincingly, crossing where they were supposed to, uncrossing where they weren’t. 

 
Ron Libbey holds his grandson’s elbow saying that sometimes the skill can be transferred to another person temporarily if there’s physical contact.

Ron Libbey holds his grandson’s elbow saying that sometimes the skill can be transferred to another person temporarily if there’s physical contact.

 

In this episode of Here Be Monsters, Jeff revisits his hometown, debates the merits of black-box thinking with his parents (Rick and Kathy Emtman), talks with his grandma (Peggy Emtman) about the desire to have a talent she can’t have, interviews three farmers and a former farmhand (Ian Clark, Asa Clark, Ron Libbey and Owen Prout) about their experiences with witching, and asks his parents’ pastor (Wes Howell of Trinity Lutheran Church) to explain the origin of the term “hocus pocus”.

Others who helped with this episode: Lindsay Myron, Nick Long-Rinehart, Brandon Libbey, Mary Clark, Joe Hein, and Kirsten O’Brien. 

Producer: Jeff Emtman
Editor: Bethany Denton
Music: The Black Spot

 

Smoot Hill, near Albion, Washington.

HBM083: Sweet Like Snap Peas

Cemetery asparagus.  Photo by Jeff Emtman.

Cemetery asparagus. Photo by Jeff Emtman.

 

Ryan Graves thinks that store-bought asparagus is as flavorless as potatoes.  But that's just because he's spoiled on the really good stuff. 

His preferred crop grows wild among the tombstones at Clinton Cemetery, hidden on an old gravel road between the towns of Pullman, Washington and Moscow, Idaho.  Most who are buried there died over 100 years ago. 

That intervening century left the cemetery mostly forgotten and overgrown.  And Ryan thinks the deep-rooted asparagus taste so good because of the natural quality of their fertilizer.  

Ryan Graves thinks that store-bought asparagus is as flavorless as potatoes.  But that’s just because he’s spoiled on the really good stuff.

His preferred crop grows wild among the tombstones at Clinton Cemetery, hidden on an old gravel road between the towns of Pullman, Washington and Moscow, Idaho.  Most who are buried there died over 100 years ago.

Ryan Graves also appears on HBM042: Deers.  Jeff Emtman produced this episode.  

Music: The Black Spot 

 

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We have a question for you:

What will be unknowable to the archaeologists 3 million years from now?  What is understandable only to people of today?  

Send a voice memo to HBMpodcast@gmail.com.  Or leave a message on our voicemail: (765) 374-5263.  We may include your audio in an upcoming episode.

 

HBM033: What One Does

 

Ryan Beitz recently experienced a meteoric rise to fame as the Chairman of The World Speed Project, which aims to collect every single VHS copy of the 1994 movie SPEED (Keanu Reeves, Sandra Bullock, Dennis Hopper, Joe Morton, Jeff Daniels).

Content Note: Explicit

Please note that this episode contains strong language.

Ryan's presence is bizarre...he never wears pants. instead, most days, he opts for giant shapeless coats and tall hats and sorority girl sunglasses. And he's intensely funny. All this comes through loud and clear in his dozen or so segments on Good Morning America (ABC), All Things Considered (NPR), Vice Magazine, etc.

But I grew up with Ryan, and so I have reason to believe that he's a bit more nuanced than the "crazy guy does something crazy" box most media outlets squeezed him into for their reports.

In this extended interview, Ryan and I sit in his Moscow, Idaho treehouse and talk about German Romanticism, Lacanian Jouissance, Stoicism and the nature of anger, and how The World Speed Project is a rebellion against the "what one does" that society shoves our throats. Then we make nasty noise metal in his friend's basement.

Music on the show was made by Ryan Beitz and Jeff Emtman.  See photo gallery.

The World Speed Project is currently running a KickStarter to get their van painted like the bus from Speed. At time of publishing, the project is just $500 dollars short of its goal.

Donate $ if you can, or donate your old copies of SPEED. Otherwise, just enjoy the amazing KickStarter video...seriously.