HBM156: Heavy Load-Bearing Body

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Four model cows examine a depression in the ground. Digital Render by Jeff Emtman.

 

Berlin’s Schwerbelastungskörper is a massive concrete structure that, today, is hidden in plain sight between a railroad and an apartment building.  It’s one of just a dozen remaining pieces of Nazi Architecture in Berlin.  And it’s not much to look at. It was built in 1941 as a test structure for a triumphal arch that Hitler wanted to build in that spot. 

Content Note: Language and discussion of war / genocide

The Schwerbelastungskörper (“heavy load-bearing body”) is the arch’s test structure.  It weighs about 12,650 metric tonnes, or about 28 million pounds, and it’s the equivalent weight of one of the four massive legs of the never-built arch.

This plan was abandoned as World War 2 accelerated.  And the structure remained, slowly sinking into Berlin’s marshy soil, providing proof of the arch’s impossibility. 

In this episode, HBM host Jeff Emtman visits the Schwerbelastungskörper, records some impulse responses in the structure’s single room and reflects on his discomfort in finding beauty in another Nazi structure nearby, Tempelhof Airport (now a public park and refugee camp). 

Also mentioned on this episode: The Berlin Airlift, Austrian Tyrol, The Little Mermaid (1989), and Der Herr Der Ringe (Lord of the Rings movies dubbed in German).  

 
 

Here Be Monsters is an independent podcast supported by listener donations.  If you’d like to make a small monthly contribution, visit patreon.com/HBMpodcast. 

Registration for the Here Be Monsters Art Exchange is open until November 10th, 2022. 
Sign up here: https://HBMpodcast.com/art/

Producer: Jeff Emtman
Music: The Black Spot

 

HBM093: The Brain Scoop

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Divya Anantharaman’s brain scoop.

 

In school, Divya Anantharaman used to get teased for having long skinny fingers like ET.  But now she sees them as valuable asset for the intricate work she does.  Divya runs Friends Forever Taxidermy in Brooklyn, New York.  

Content Note:
Fleshy sounds

In this episode Divya carries a recorder with her while as she slowly disassembles a deceased pet parrot: snipping joints, scooping brains, removing eyes, separating the skin from the body. Birds’ skin is very thin—Divya likens the peeling to removing a delicate silk stocking.

We found out about Divya through Erika Harada, another skilled artist in the Brooklyn taxidermy scene.

Producer: Jeff Emtman
Editor: Bethany Denton
Music: Serocell (new album out!) and Phantom Fauna

 

Divya Anantharaman with a deceased Himalayan pheasant.

Lying in a Stranger's Grave

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Carlos Gemora loved the feeling of the dirt at the cemetary where he used to dig graves.  One day he climbed down into the loamy, silty soil and looked up at the sky.  It felt like a womb... a death womb. 

This piece was produced by Alex Kime and Jeff Emtman, with support from Bethany Denton. Our editor at KCRW is Nick White.

Music by Nym and Lucky Dragons 

 

HBM030: Crickets, Cadavars, and Conventional Wisdom

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HBM030.jpg
 

This episode is a Grab-bag, it contains three segments that serve as follow-ups to the three most recent episodes of Here Be Monsters.

Part 1: Crickets on Tape

In this segment, Jeff takes apart his tape recorder and installs a knob to help him slow down the tape without using digital wizardry in attempts to de-muddy the waters after HBM029: Do Crickets Sing Hymns.  He bought some more crickets and slowed the cassette slowed down to 1/3 speed.  The results were telling, and surprising.

In that episode, we were talking about the confusion surrounding the bit of audio called God's Cricket Chorus by Jim Wilson.  In this segment we’ll clear up exactly what is known and exactly what is not about God’s Cricket Chorus and its derivative works.

Also, a correction to a mistake we made in Episode 29 about how digital audio is constructed for our ears.  In that episode we represented the final product of digital audio to be choppy, yet moving by too quick for our ears to notice its choppiness.  This is NOT the case.  In fact, digital audio is always converted back to analog before it hits our ears.  This is done with a device called a Digital to Analog Converter (DAC).  Here’s an article that explains this process very simply  (Page 4 is where the good stuff starts).  Big thanks to the two commenter s who pointed out this error.

Want to try stretching some crickets yourself?  Download this same set of cricket songs we used for the shows.

Part 2: Conventional Wisdom on the Future of the Four Humors

In HBM027: Balancing Act, Here Be Monsters producer Lina Misitzis delved into the rich history of the Four Humors, which was, for thousands of years, the way much of world understood medicine, the body and the universe as a whole.

While we never heard from Alain Touwaide in that episode, he was central to our research of traditional medicine.  He’s the director of the Institute for the Preservation of Medical Traditions in Washington DC.

He spoke with Lina about the foggy past and likely future of Humorism. 

 
 

Part 3: The Resting Places of Medical Cadavers

In HBM028: Johnathan’s Cadaver Paintings, Johnathan Happ, a grad student at the University of Washington, visits one of the cadaver labs on campus.  He spends a lot of time there, studying the bodies, so that he can make paintings of them in his studio. 

While that episode has a lot of information about the cadaver labs themselves.  We never got the chance to talk about  what happens to those bodies after their 3 year rotation in the lab. 

So, in this segment, Jeff goes out to the Evergreen-Washelli Cemetery in northern Seattle, where most of those bodies come to rest. 

Special thanks to two employees of Evergreen-Washelli who helped out with a lot of the background for this piece:  Sandy Matthie (Reception at Columbarium) and Brian Braathen (Funeral Home Manager)

Music: The Black Spot ||| Half Ghost  <-- New!

 

HBM028: Jonathan's Cadaver Paintings

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Jonathan Happ’s white lab coat and latex gloves make him look like a doctor when he stands in a room full of people. But he’s not a doctor…he’s an artist, and the people he shares this room with are all dead.

In this episode, Jonathan takes a recorder into the University of Washington’s cadaver lab and reports on what he sees, and why he draws and paints images of the bodies.

Sensitive listeners should note that this episode contains graphic (but mostly scientific) descriptions of the cadavers.

The track image is one of Jonathan's paintings. To see a larger version and a drawing of the tendons in a cadaver hand, go to HBM's facebook page

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Music from: Swamp Dog ||| Flower Petal Downpour ||| Nym ||| The Black Spot